Edible History: How Istorya’s Isang Kusina Traced 400 Years of the Filipino-American Journey

 

Mama Sita’s Cecilia Pacheco Morais highlights the importance of Filipino cuisine at Isang Kusina. (photo: Enrique Malfavon)

Food has always been the vessel through which immigrants preserve their past and, to close out Asian American and Pacific Islander (AAPI) Heritage Month, Istorya LV, along with title sponsor Mama Sita’s, presented Isang Kusina 2026 at the Keep Memory Alive Event Center, a pop-up restaurant in downtown Las Vegas, Nevada, USA last May 22, 2026.  

This profound cultural event mapped more than four centuries of Filipino- American history, highlighting the Filipino-American diaspora, culture and community, onto an eight-course tasting menu with live storytelling and live performances. 

Each dish served as an edible monument to the migrant workers, pioneers, and families who shaped the American landscape. 

“Filipino cuisine is more than food: it is memory, family, history, and home,” noted special guest speaker Ms. Cecilia Pacheco Morais, granddaughter of the legendary culinary icon Teresita “Mama Sita” Reyes.

Alaskero Salmon by Ms. Rachel Carrillo Barril. (photo: Enrique Malfavon).

The historical storytelling was palpable throughout the night. Chef Rachel Carrillo Barril (chef de cuisine at In Bocca Al Lupo, an Italian restaurant in Juneau, Alaska) presented a moving tribute to the “Alaskeros,” the Filipino immigrants who labored in Alaska’s historic salmon canneries. 

Her course of cured, smoked sockeye salmon with bull kelp atchara, using malunggay flakes and Mama Sita’s all-natural vinegars, was served directly inside a tin can, utilizing Sky Flakes crackers to evoke the resilience of those early laborers. 

Meanwhile, Milkfish Nola (a Creole cuisine restaurant in New Orleans, Louisiana, USA) owner Chef Cristina Quackenbush’s Lakbay Gumbo paid homage to St. Malo and Manila Village, the mid-18th century Louisiana settlements widely recognized as the first Filipino communities in the United States.

Live performance by Ruby Ibarra, NPR Tiny Desk Winner. (photo: Enrique Malfavon)

Enhanced by live performances from Ms. Ruby Ibarra (NPR Tiny Desk winner), Ms. Jessica Manalo (Filipino-American contestant on Season 27 of NBC's The Voice) and singer/song writer Mr. Robin Nievera (eldest son of singers Martin Nievera and Pops Fernandez), the evening transcended the typical gala. It allowed attendees to quite literally taste the endurance, adaptation, and triumph of the Filipino-American diaspora.

To know more about Istorya, visit their website at www.istoryalv.com. To know more about Mama Sita’s, visit the website at www.mamasitas.com/us/ or Instagram at @mamasitasusa.

Ged Merino: Turning Thread and Fabric Into an Art Form

Ged Merino

Meet Queens, New York-based Gerardo “Ged” U. Merino, a Fil-American painter, printmaker and mixed media artist who works with repurposed textiles, who never thought of becoming an artist, does not join art competitions and yet has become a celebrated artist.  Ged was an elementary classmate of mine at Don Bosco Technical Institute in Makati. As a child born and raised in the Philippines, his inclination towards the arts was developed at an early age, thanks to his late parents.

His mother Virgie lived in a generation where they repurpose, recycled and repaired things.  Creative in her own way, the repurposing of fabrics and other things were just part of her daily life. His mother’s creativeness emerged when she reused materials like old cotton pig feed sacks from his father Johnny’s farm. She used various techniques to give the old fabrics new life, embroidering them, dyeing them and sewing them to make pajamas.  Virginia also did a lot of batik. In a similar note, my mother also reused chicken feed sacks sourced from the poultry of my grandparents (who lived just across the street from our old house in Malibay, Pasay City) and also transformed them into pajamas.

Ged, with his pet Basset hound Barnaby, at his studio

During weekends, Johnny, a natural storyteller, also took him and his siblings to the farm to explore. As Ged loved to draw, Johnny bought him art materials and Virgie took him to art classes. Johnny's storytelling and Virgie’s repurposing of textiles sparked his interest in the arts and his work and practice has its origins in textiles.

Creature in Green and Red (www.drawingroomgallery.com)

Although he finished his Bachelor of Fine Arts degree at the Philippine Women’s University in 1987, Ged wasn't initially interested in a career in art.  

That is, until he attended an open house held by Manuel “Boy” Rodriguez Jr., a multi-awarded artist who also worked with textiles and the son of Manuel Rodriguez Sr., the “Father of Philippine Printmaking.” 

He became very intrigued by the printmaking techniques his teacher learned during a recent trip to New York and, eventually, Boy asked Ged to work for him as an apprentice. Ged has found his calling. He then started to experiment with "collagraphs," silk screens, etching and other techniques.

Fish and Three Wishes, Mixed Media on Paper (www.momaps1.org)

In 1987, Ged was among the Top Five in the ASEAN On the Spot Painting Competition and he joined the delegation to the ASEAN Youth Painting Conference in Singapore.  The next year, he was awarded the Jackson Pollock Memorial Scholarship to study at Arts Student League of New York. 

Day Dream in Red, Blue and Yellow, Acrylic on Canvas (www.momaps1.org)

Break Glass in Case of
Emergency 1, 2014
(www.materialsforthearts.org)

Break Glass In Case of
Emergency 2, 2014
(www.materialsforthearts.org)

While studying, he apprenticed with Marcelino Rodriguez, Boy’s brother, who worked on mono prints. After taking a printmaking class, Ged started experimenting, painting and working with printmaking and textiles for quite some time.  

His plan was to stay for only a year in New York but, after four months, he met a gallerist in Chicago who picked his work from a competition, and decided to represent him. Later, he met another gallerist from in Soho (the meeting place of artists including Andy Warhol, who influenced the Pop Art movement) who also ended up representing him.  

Metamorphosis in Black, White and Burgundy, Mixed Media on  Fabric, 34 X 38 in. 2014 (www.drawingroomgallery.com)

Ged decided to stay on, understanding the good and bad sides of the city and assimilating in the changing art scene in New York, made robust with various forms and disciplines by thousands of artists from all over the world, including local artists.  

Metamorphosis in Black, White and Gold, Mixed Media on Fabric, 35 X 49 in. 2014 (www.drawingroomgallery.com)

Vestigial Bliss,
Acrylic on Panel 
(www.momaps1.org)

Day Dream in Gray
with Black, Red, White
and Yellow,
Acrylic on Canvas 
(www.momaps1.org)

After living in New York City nearly half of his lifetime, Ged has accumulated things and objects reminiscent of home. Spending several years in Manila working on projects also triggered an immediate reconnection with his roots and culture, most strikingly the contrast of poverty versus waste. 

He was fascinated by the questions of why people buy and hold on to things while some are thrown away.  Discarded materials eventually became his focus. As his subject matter, Ged currently uses personal belongings and objects discarded, forgotten or left behind, incidentally or intentionally, by other people, a way of collecting artifacts from people’s lives and repurposing these discarded materials into his artistic process, giving them a new life by wrapping them in recycled fabric and string, thereby changing their form or function. 

Recurring Dreams 2, 2014 (www.materialsforthearts.org)

Nothing is disposable for him. He has rubbed, hammered and scratched textures from flattened soda cans, soda bottle caps, old canvas, leather, manhole covers, sacks and other quotidian materials that can give life to his art. He uses these as part of the plates or silkscreen them and stitch them onto the fabrics.

Recurring Dreams 7, 2014 (www.materialsforthearts.org)

Ged was always attracted to color, textures and decorative details of fabrics and he has described working with textiles as an adventure.  His process is spontaneous, intuitive and improvisational. Though more of an abstractionist, he also likes working with different materials. He basically started off as a printmaker then started to paint when he was in New York. 

For many years, he switched back and forth, maintaining a day job for the most part (which took time away from his art). It was not until 2010 when he resigned his job and went back to textiles, collecting discarded objects and using them as materials. Ged is currently working on textile-based works augmented by painting and printmaking and sculpture, a medium that is not much explored yet. His work has been shown throughout New York, Chicago and the Philippines. 

Found, Bound, Rebound (www.spot.ph)

Around 2009, Ged started meeting a lot of local artists, including Pinoys who lived and worked around or near his studio. He realized that New York City, though an artists’ haven, does not really have many places where talented emerging artists, especially Filipino artists, could present their work. On September 21, 2011, Ged, with his Colombian wife Carolina Morales (from Bogota), launched the Filipino-centric and cross-cultural Bliss on Bliss Art Projects, an alternative art space in Sunnyside, New York, where emerging, mid-career and established contemporary artists can create and exhibit their works and interact freely with guests in an intimate space.

Metamorphosis in Gray, Mixed Media on Fabric, 28 X 37 in., 2014
(www.drawingroomgallery.com)

Due to lack of funds, it was difficult from the start but, with support from family and the Filipino art community (among them prominent artists such as Alfredo and Isabel Aquilizan, Lav Diaz and New York-based writers Jessica Hagedorn and Ninotchka Rosca), money started coming in. 

To ensure that only quality works will be exhibited, Ged and a committee of artists evaluate the an applicant’s portfolio when an artist applies to hold an exhibit. When an artwork is sold, Ged does not charge the artists or ask for commission. He just asks them to be in charge of the reception and everything they need for their exhibits.

Prominent Filipino artists like Noel El Farol, Mervy Pueblo, Jeho Bitancor, Bob Nuestro, Eric Zamuco,  Mideo Cruz,  Luis H. Francia and Jojo Austria have done exhibits at Bliss on Bliss. Bliss on Bliss has also witnessed how some artists developed new work. Aside from artists, writers and musicians also meet up here and have dialogues, sometimes leading to collaborations.

Ged Merino with Aze Ong during their exhibit “Open Threads” at Topaz Arts, NY on September 16-October 28, with their collaborative piece called Open Threads.(www.usa.inquirer.net)

When he is not supervising exhibits of upcoming and established artists or in one of his exhibits in many parts of the world, he can be found working in his studio cum gallery. Lately, he divides his time between Manila, Bogota (Colombia) and New York City. Ged recently collaborated with Aze Ong, a Manila based visual and performance artist who creates and performs with her artworks (combining crochet with metal, wood, fibers and semi-precious stones), for the GedAze Project, a year-long collaboration exploring the medium of textile in expressing their art.  They exhibited in a group show at The Drawing Room Contemporary called “Common Threads.” In October 2016, they launched “The GedAze Project” with a show at Bliss on Bliss Art. In 2017, they had five collaborative shows, four in Manila and, last September 16-October 28, at Topaz Arts New York entitled “Open Threads.”

Ged with his  new works “Self Portait in NYC in Red ,Orange and Red Orange"

 Selected Exhibitions

2014

• The Garment District Public Art Space, New York City, New York, USA
• Galeria Expreso Del Arte, Bogota, Colombia
• The Drawing Room, Manila, Philippines
• Cultural Center of the Philippines, Manila, Philippines

2013

• Las Vegas Center for Contemporary Arts, Las Vegas, Nevada, USA 

Selected Group Shows

2016

• “Case Studies” (with Junko Yamada, Joseph Paul Fox and Roger Rothstein, March 12 to May 12) - Topaz Arts, New York, USA
• “Common Thread” (with Aze Ong and Raffy Napay, July 16 to August 19) - The Drawing Room Contemporary Art, Manila Philippines
• "Papers and Layers" (August 27 to  September 25) - Cultural Center of the Philippines, Manila, Philippines

2015

• “Daang-Krus/Pomdi Archipelago” (ACAW 10ed.) - Bliss on Bliss Art Projects, New York, USA

2014

• “Promdi-Archipelago” (October 25 to November 23) - Bliss on Bliss Art Projects, New York, USA
• “Re-use-Re-cycle Small Works” – Materials for the Arts, New York, USA
• “Eco-Logic” (February 6 to March 1) - Las Vegas Center for Contemporary Arts, Las Vegas, Nevada, USA

2012

• “In This Place We Live 2” - M55 Art Gallery, New York, USA
• NYFA Bootstrap Festival - Clemente Soto Velez Cultural and Educational Center, New York, USA
• “Conversations with Mars/Trans-Glocal” - Bliss on Bliss Art Projects, New York, USA

2011

• “In  This Place We Live” - M55 Gallery, New York, USA
• “Eye of the Beholder” – Long Island City Artists (LICA), New York, USA

2010

• “VIA MAIL”- Capitana Gallery, Talisay City, Negros Occidental,Philippines
• LEAP – La Mama La Galleria , New York, USA

2009

• “A Night of 1001 Prints” - M55 Art Gallery, New York, USA
• “Return to Paradise” - ARIAS Artspace, Makati City, Philippines
• “When You Say Nothing at All” - ARIAS Artspace, Makati City, Philippines

2005

• “Maynila to Williamsburg” - Goliath Visual Space, Brooklyn, New York, USA

2002

• “Mono-Print” - Miriam Perlman Gallery, Chicago, Illinois, USA                             

2001

• “A is for Abstract” - La Mama La Galleria, New York, USA

2000

• Printmakers Show - The Holland Tunnel Gallery, Brooklyn, New York, USA

1997

• “At the Edge....” – Cendrillon, New York, USA

1992

• “Continuing an Idea” - Miriam Perlman Gallery, Chicago, Illinois, USA

1991

• “Repeated Surfaces” -  Miriam Perlman Gallery, Chicago, Illinois, USA

1989

• “Applied Surfaces” - Miriam Perlman Gallery, Chicago, Illinois, USA        
• “Developing an Idea”” - Miriam Perlman Gallery, Chicago, Illinois, USA

1987

• ASEAN Preview - Kulay- Diwa Gallery, Philippines
• 5th ASEAN Youth - National Museum, Singapore
• MALVAR Artists - Museum of Baguio, Philippines

1986

• Filipino Contemporary Artists - Ayala Museum, Makati City, Philippines

Selected Solo Shows/Art Fairs/Biennales

2017

• "Illuminati" (a collaborative project by  The GedAze Project at the Artfair Philippines 2017,  February 16 to 19) - The Drawing Room Contemporary Art, Manila, Philippines
• "Prelude" ( a collaborative project by The GedAze Project, May 6) -  TDR Escolta, Manila, Philippines
• "Existence" (a collaborative project by The GedAze Project, May 12 to June 13) -  The UP Vargas Museum, Quezon City, Philippines 
• "Ripples and Layers" (collaboration  with works by Juvenal Sanso and The GedAze Project, May 18) - Fundacion Sanso, San Juan City, Philippines

2016

• “Transitional Objects" (July 16 to August 9) - The Drawing Room Contemporary Art,  Manila, Philippines 
• 2016 London Biennale Manila Pollination (September 16) - Metropolitan Theatre,  Manila, Philippines
• "Sound in Our Head" (The GedAze Project, October 9) - Bliss on Bliss Art Projects, New York, USA.  In memory of Ged’s mother Virgina who, during her later years, suffered from tinnitus. 

2015

• Southeast Asia Platform  (January 22 to 25) – Art Stage, Singapore
• “From the Catalog of Desire” (2015 CIGE Art Fair Beijing, October 8 to 11) -  Beijing, People’s Republic of China

2014

• “Sueños Recurrentes” (May 15 to June 17) - Galeria Expreso del Arte, Bogota, Colombia
• “Metamorphosis” (October 11 to November 13) - The Drawing Room Contemporary Art,  Manila, Philippines
• “Beneath the Structures, Surface and Scratches” (October 15 to November 23) - Bulwagang Carlos V. Francisco,  CCP Complex, Manila, Philippines

2012

• Prints and Paintings - Bliss on Bliss Art Projects, New York, USA

2006

• “New Works, New York” - Avellana Gallery, Philippines 

2005

• Recent Works MONO-Prints -  Avellana Gallery, Philippines

1988

• Self Portrait in NYC - Philippine Consulate, New York, USA

1987

• Textile Works - Helena Benitez Hall, PWU Fine Arts Gallery, Philippines

Bliss on Bliss Studio

Bliss On Bliss Studio: 4149 45th St. Ground Floor, Sunnyside, New York 11104, USA. E-mail:  blissonblissartprojects@gmail.com. Website: www.gedmerino.com and www.blissonblissartprojects.com. See map.

The Drawing Room Contemporary Art: G/F, Bldg. C, Karrivin Plaza, 2316 Chino Roces Ave. Extn., Brgy. Magallanes, Makati City 1231 , Metro Manila, Philippines.  Tel: (632) 801 4397.  E-mail: contact@drawingroomgallery.com. Website: www.drawingroomgallery.com.

Hotel and Inn Review: Westin at Times Square Hotel (New York City, U.S.A.)

Date of Stay: July 6-7, 2017

RATING (Scale of 1 to 10)

Location: ********

Rooms: ******

Condition and Cleanliness: *******

Staff Performance: ******

Room Comfort: *******

Food and Beverage: *******

Other Amenities: ********

Value for Money: *****

The Westin at Times Square

This modern, 45-storey glass tower hotel, located in New York's Theater District, is one block from the actual Times Square at Seventh and Broadway.  

The non-smoking room that we stayed in (Room 3131) for one night (Thank God), one of 873 rooms, was reasonably spacious (310 sq. ft.), had airconditioning with in-room climate control, a flat-screen cable TV,  phone, an en suite private bathroom with bathrobes and hair dryer, iPod docking station, large desk with ergonomic chair, a mini bar and coffee/tea maker. Each floor had a room (opened using our magnetic card key) with an ice dispenser.

Front Desk

However, they don’t offer complimentary high-speed internet connection in the room, the only one, among the 5 other hotels (including another in New York City) in the East Coast that we stayed in, that didn’t offer such.  

Wireless internet access was US$14.95 per night while wired internet access was US$19.95 per night. Even in public areas there’s a surcharge (US$14.95). Seems like the ice at the ice dispenser was the only thing complimentary in this hotel. 

Our room also didn’t have an in-room safe. Safety deposit boxes are only available at the Front Desk. The elevators do not go directly to the ground. You have to transfer to another elevator at the lobby level to get to the ground floor.

Foundry Kitchen and Foundry Bar 

Foundry Kitchen and Foundry Bar, its in-house restaurant, serves daily breakfast (a bit pricey) from 7 to 11 AM. We weren’t able to avail of it as there was no complimentary breakfast included. 

The hotel also has 24-hour Front Desk, in-house fitness center, business center and 33 meeting rooms. 

They also offer 24-hour room service, express check-in/check-out, dry cleaning, self laundry, concierge, tour desk, ticket service, valet parking (surcharge) and luggage storage.

Room 3131

One thing going for this hotel is its fantastic location for tourists as you are in the heart of all New York sightseeing with Times Square and the Theater District literally just a minute away.  All the bus tours are stationed right beside the hotel. Besides this, the Times Square - 42nd Street/Port Authority Bus Terminal and the train station are right on the doorstep for any local commuting.  One can't find a better location for sightseeing the Big Apple.

Westin at Times Square: 270 West 43rd St., New York City, New York 10036, USA. Tel:+1 212-201-2700.  

Hotel and Inn Review: Loews Boston Hotel (Massachusetts, U.S.A.)

Date of Stay: July 4-6, 2017

RATING (Scale of 1 to 10)

Location: ********

Rooms: ********

Condition and Cleanliness: ********

Staff Performance: ********

Room Comfort: ********

Food and Beverage: *********

Other Amenities: *******

Value for Money: *******

Loews Boston Hotel

Hotel entrance

Historical Marker

This historic 10-storey Back Bay district hotel, located in the stately former headquarters of the Boston Police Department (designed by architects Parsons, Ritchie and Taylor, its cornerstone was laid on August 25, 1925 and the building was dedicated on November 22, 1926), has 222 spacious guest rooms (Superior Queen, Deluxe King, Deluxe 2 Double Beds, Premium King and Premium 2 Double Beds), two luxury suites (one bedroom with separate living room) and one presidential suite (one-bedroom suite with living, dining & kitchen areas and offers corner windows & dramatic views of Boston’s South End & South Boston).

Our check in here was efficient and friendly. The modern, decorative and comfortable 7th floor room we stayed in (Room 732), had double beds with Italian cotton linens, down bedding and Stearns & Foster pillow top mattresses; 46-inch Samsung flat-screen LED TV; ironing facilities, in-room safe, Krups coffee maker, an iPod dock, large windows with blackout drapes and a work desk. The good-size marble private bathrooms include heated towel racks, hair dryer and all-natural bath products. Bathrobes, free bottled water and complimentary WiFi internet access (also provided throughout the hotel) is provided.

Room 732

Dining Area

Bar

Precinct Kitchen + Bar, the on-site grill and a bar, is open for breakfast (7-11 AM), lunch (11 AM – 2:30 PM) and dinner (5 – 10 PM), and offers classic dishes, Boston centric favorites and traditional New England seafood specialties. 

Breakfast buffet

Jandy at Precinct Kitchen + Bar

Apothecary, a lobby lounge, offers complimentary self-service hot chocolate, tea and a range of coffee (latte, espresso and cappuccino) in a relaxing setting. It features a working fireplace, high windows a large library table for eight, comfortable lounge seating, ample outlets for charging devices, a a 9-panel media wall for watching the game or staying on top of the news. Open 110 AM – 12 AM,   Sundays – Wednesdays; 11 AM – 2 AM,  Thursdays – Saturdays. 

Front Desk

Fitness Center

Treadmills

The hotel also has a 24-hour Front Desk, 6 meeting and conference rooms and a 24-hour business center (open with guest room key access).  The 24-hour on-site fitness room contains state-of-the-art health and fitness equipment such as treadmills, stationary bikes, elliptical trainers, a strength-training machine, yoga and fitness mats and free weights. The hotel also offers valet parking (US$50/night, in/out privileges), babysitting and concierge services. The top notch staff here were very welcoming and friendly. An amazing hotel experience.

Kyle and Cheska at lobby

The fully updated Loews Boston Hotel, minutes from public transportation, fine dining, shopping and attractions, is located 2 blocks from Copley Square, and 4 blocks from Boston Common and stylish Newbury Street, 1.6 km. from Fenway Park and the Boston Back Bay train station is a 6-min. walkway. 

Al fresco dining area

Loews Boston Hotel: 154 Berkeley St, Boston, Massachusetts 02116, U.S.A. Tel: +1 617-266-7200. Reservations: 1-877-872-3658. Website: www.loewshotels.com/boston-hotel.