Our tour begins ....... |
In 2002, Carlos Celdran
founded "Walk This Way," a one-man, multi-venue costumed performance
that leads patrons through the walled city of Manila, with Celdran,
the producer and director, also alternately acting and narrating along
the way.
To explain Philippine history (from the Spanish and American
eras up to the Japanese Occupation) in an interesting way, Carlos infused
this fascinating performance with a fine-tuned script and theatrical elements
as well as comedy, costumes and music, placing special emphasis on issues
surrounding Philippine arts, culture, and international geopolitics in order to
place Philippine history within a global context. This tour received a
thumbs-up feature in a 2005 issue of Time magazine.
An infusion of comedy |
It just so happened that Mr. Celdran, seemingly in a good mood, offered his half-day, weekend Intramuros Barter Tours wherein we just paid a discounted rate of PhP400 (which covers the cost of museum admission, kalesa or pedicab ride, snacks, etc) instead of the normal PhP1,100 (Php600 for students) per person. However, we also had to trade in something creative and from the heart. In my case, I traded in a new, autographed copy of my fifth book, “A Tourist Guide to NotablePhilippine Museums” (New Day Publishers, 2012).
Jandy joined us and Cheska brought along Kyle, my grandson, who needed to be breastfed every now and then. We arrived at Fort Santiago, the assembly area, at a few minutes past the 4 PM scheduled start of the tour, having been delayed by traffic due to road repairs along the way. Mr. Celdran arrived even later, also caught up in our same predicament. The weather was rather perfect, not too hot and the sky was clear.
Carlos arrived wearing the
Spanish-colonial garb of an illustrado plus his signature bowler hat
(he was to do a number of costume changes according to the era) on his
shaved head. Our rather huge tour group consisted of 25 – 30 individuals and I
was surprised to see that almost half of the group were Filipinos. We all
gathered around "The Pied Pipier of Manila" who began his
performance with the singing of the National Anthem. I kind of loved the
American wartime tunes that came out of an old stereo cassette player which he
played while we walked from one area to the next.
Carlos then took us back in
history with his witty remarks and theatrical storytelling. There was never a
dull moment as our legendary tour guide gave us a brief yet comprehensive
account, from a totally different point of view, of the beginnings of Manila
and the dynamic development of Intramuros.
Carlos then took us back in history with his witty remarks and theatrical storytelling. There was never a dull moment as our legendary tour guide gave us a brief yet comprehensive account, from a totally different point of view, of the beginnings of Manila and the dynamic development of Intramuros.
Why don’t we have those amazing wonders from our neighboring Asian countries (Angkor Wat in Cambodia, Borobodur Temple in Indonesia, or Ayutthaya in Thailand)? Well, according to Carlos, we simply didn’t have the raw materials - all we had was highly-flammable bamboo and indigenous volcanic rock and ash. Every now and then, Carlos was shelling out the very iconic, uniquely Filipino ChocNut bars (a childhood favorite of mine) for everybody to sample.
Talking about our National Hero beside the Rizal Shrine |
Carlos talks about the bombing of Manila |
Carlos then took us back in history with his witty remarks and theatrical storytelling. There was never a dull moment as our legendary tour guide gave us a brief yet comprehensive account, from a totally different point of view, of the beginnings of Manila and the dynamic development of Intramuros.
Why don’t we have those amazing wonders from our neighboring Asian countries (Angkor Wat in Cambodia, Borobodur Temple in Indonesia, or Ayutthaya in Thailand)? Well, according to Carlos, we simply didn’t have the raw materials - all we had was highly-flammable bamboo and indigenous volcanic rock and ash. Every now and then, Carlos was shelling out the very iconic, uniquely Filipino ChocNut bars (a childhood favorite of mine) for everybody to sample.
Kyle's first kalesa ride |
Inside a tunnel turned
airconditioned audio-visual room, Carlos gave us a compelling and unforgettable
description of a bombed-out Manila at the end of World War II. Did
you know that it wasn’t the Japanese who destroyed the heart of Manila?
From Fort Santiago, Carlos
asked us to choose, as mode of transportation to Intramuros, between pedicabs
or the kalesa (a
Filipino version of a horse-drawn carriage), paid beforehand by Carlos for us
to ride (providing these operators with additional income).
We chose the more interesting
latter, a first time experience for Kyle and a second for the rest of us.
With these modes of transport, we passed by the ruins of the former St.
Ignatius Church and the former Ateneo de Manila before reaching our destination
- San
Agustin Church (a UNESCO World Heritage
Site). There was wedding in progress when we arrived.
Presenting Carlos with an autographed copy of my book |
Mr. Celdran pointed out the 4
lion sculptures (fu dogs) by the doorway (donated by Chinese who converted
to Catholicism), a quirky mix of foreign influence within the designs of the
church which include an Italian-inspired painted ceiling, Greek-inspired
pilasters on the facade (that doesn’t support anything) and the ornate carvings
of the images of St.
Augustine and St.
Monica on the wooden door.
We all then crossed over to
Casa Manila where, to the delight of the crowd, Carlos capped the tour off with
glasses of refreshing halo-halo (translated
as “mix-mix”), another traditionally Filipino dessert made with shaved
ice, evaporated milk, assorted fruits, gulaman, and sweet, red mungo beans.
While we were enjoying this, he incorporated this final
sweet treat in his talk, telling us that Filipinos and their culture has
become a conglomeration of various cultural (Spanish, American, Chinese, Malay,
Indian, etc.) influences. Remove these influences and we just might not be the
culture-filled and multilingual people, with such colorful backgrounds, that we
are today. Mr. Celdran ended the 3-hour walking tour with photo ops with
guests.
Photo-ops with Mr. Celdran |
NOTE:On October 8, 2019, cultural activist and artist Carlos Celdran died of natural causes in Madrid (where he lived in lonely, self-imposed exile, since January 2019, after being convicted of blasphemy), Spain at the age of 46. Before he died, he was conducting the Camino Real Walking Tour which traced Jose Rizal's footsteps as an immigrant in Madrid.
Walk This Way Tours: Tel: (632) 484-4945. Mobile number: (0920) 909-2021. E-mail: celdrantours@hotmail.com. Website: celdrantours@blogspot.com.
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